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Passing Over

Norman Finkelstein

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"...what a pleasure to discover these earlier poems by Norman Finkelstein. Lyrical, probing, and always finely wrought...."—Paul Auster
Norman Finkelstein: Passing Over

After the Track trilogy, one of the most brilliant and audacious works in recent American literature, what a pleasure to discover these earlier poems by Norman Finkelstein. Lyrical, probing, and always finely wrought, there is a tenderness in this book that can break one’s heart. — Paul Auster

Praise for TRACK

Norman Finkelstein’s Track … is a beautiful, beguiling book of unrest. —Nathaniel Mackey

The cumulative sense and soul of so many passages ventured, so many thresholds crossed, shed a perfect radiance. In Track, the light is solid. —Donald Revell

No contemporary figure’s life project more avidly scours the borders between heaven and earth, doctrine and faith, the metaphysical inside the physical spaces of a Word, than poet/ critic’s Norman Finkelstein. —Claudia Keelan

Author's Note

Passing Over, written in late 80s-early 90s, includes a set of rhapsodic lyrics in the style of Finkelstein's first book, Restless Messengers, and two serial poems, one dealing with the Shoah, the other based on the Passover Haggadah.

About the Author

Norman Finkelstein is a poet and literary critic. His books of poetry include Restless Messengers (Georgia, 1992) and the three volume serial poem Track: Track (Spuyten Duyvil, 1999), Columns (Spuyten Duyvil, 2002), and Powers (Spuyten Duyvil, 2005). He has written extensively about modern and postmodern poetry, and about Jewish literature. His books of criticism are The Utopian Moment in Contemporary American Literature (Bucknell, 1988, 1993), The Ritual of New Creation: Jewish Tradition and Contemporary Literature (SUNY, 1992), Not One of Them In Place: Modern Poetry and Jewish American Identity (SUNY, 2002) and Lyrical Interference: Essays on Poetics (Spuyten Duyvil, 2004). He is currently writing a study on religious revisionism in contemporary long poems. Finkelstein was born in New York City in 1954. He received his B.A. from Binghamton University and his Ph.D. from Emory University. He is a Professor of English at Xavier University in Cincinnati, Ohio, where he has taught since 1980.

ISBN: 978-0-9792416-0-4 $15.00

from “Passing Over”


Sound of wind
of wings over the houses

Blood on the door posts
in the temple courtyard

Bone forearm the people
bowed their heads

Could not look
at what was passing over

Knowing only
they were spared

Heard the wailing
before the word came to leave

Thrust from their homes
before the bread could rise

Thrust from their homes
their bitter homes

For which they never
had provisions

Into the unknown
the desert places

A mighty hand
an outstretched arm

So that Gamliel summarizes
conflating assigning

Rabbi I ask you
when can I stop remembering

When can I acknowledge
it was me it was not me

it is mine it is not mine

When have I fulfilled
my Passover duty?